On Pasts

"Ooooh you look so good, ooooh you looook so fiiine."


Who makes up the past anyway?

Was it you? I seem to remember you being there, like a detail in a movie that is very small and has to be mauled out in a flash, but that doesn't really fit. It's tight, it's a close-up, and it's in there, pressing it's untrimmed finger into your stomach. But I remember your name. And I remember when your Birthday is.

Because it's alive man, it's everywhere woman, the middle word in life, keeping itself inside your head even when everyone else is loosing their's and blaming you. "Are you going to travel through space on a fraction? What are you going to land on - one-quarter, three-eighths?" Have you lived a third of you life? By 18, 22, 35 - do the math, and then tell me. It's the past man, your past man!

Or maybe, it's raining frogs, and the past, the past, we're through with the past, no, we're through the past, and we'll be back after this short commercial break, but the past ain't through with us.

And so maybe it's a weird night, a night that is happening again and again, always happening, like the restaurant at the end of the universe, a perennial blooming and blooming and maybe because time is a whole and doesn't come in slices. Maybe it's a Rolo, and you can tick off the bits of it and pop then in your mouth. But it's hard to say that it has been a weird night if it's still the same night - yet to become 'has been' - and it is the same night it has always been, when it is all kinds of full of the past and the future, and the past might be the future, and we maybe want the past and the future to meet so that we can feel like we are off the hook for a change.

So if I remember your name, what past can there be for someone who doesn't forget? And if "blessed are the forgetful, for they get the better of their blunders," well what then? Where do all blessings lie? Does this one in his time play many parts too, if his time curls up into a ball, the end always somewhere near the beginning, the feet always near the face. All the world staged in one act.

But then too, onto the last scene of all, that ends this strange eventful history, in second childishness and mere oblivion. Who is that we speak of in our legacy, whose legacy do we speak? What's left?

Am I having the past over for dinner? Is the past having me for dinner?